Editura Universitara The ship of poets. Anthology of poetry

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ISBN: 978-606-28-1345-1

DOI: 10.5682/9786062813451

Publisher year: 2021

Edition: I

Pages: 206

Publisher: Editura Universitara

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I think an anthology of poetry is an expedition in search of the golden thread. The shores of poetry are unknown, in the sense that they appear, they are revealed, when the dream state surpasses everyday reality. Otherwise, anchoring in a reality as a port without any opening, without access to the sea, would keep us captive in it. At the ideological level, the Poet's Ship is an archetype of a ship, which can be called by the same ancient name, "Argo".
On the other hand, the new reality, as a revitalized form of social, artistic neorealism, is delivered in poetry "in bitcoin", as verbal currency at universal standards, a term used excellently by Ruben Bucoiu, one of the poets of this anthology. In other words, Dumitru Baluta talks about the "jellyfish of reality" in a struggle of ideas with the "earthquakes of the imagination".
In almost all the poems in this anthology there are white spaces of the imagination, finally covered by reality. The relationship between them works alternately, by rotation.

Clelia Ifrim
  • The ship of poets. Anthology of poetry

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CALIN IOAN ACU
MADALINA ALDESCU 
DUMITRU BALUTA 
RUBEN BUCOIU 
DORIN VASILE BUTUZA 
CORNEL C. COSTEA 
ISSABELA COTELIN 
NICOLAE CREPCIA 
IULIA DRAGOMIR 
STELA EMBER 
DAN FRIPIS 
VERONICA LECA 
IONUT MANEA
MONICA MANOLACHI 
MONA MOTORGA 
TANIA NICOLESCU 
MIHAELA ANGELA STAN 
SIMONA STAPAN 
TATIANA STOICESCU 
LORENA STUPARU 
ANDREEA TANASE 
MIHAI TANASE 
DANIELA TOMA 

Preface / 5

Calin Ioan ACU / 9
So close / 11
Demiurge / 12
Balance / 13
Window / 14
Mystery / 15

Madalina ALDESCU / 17
a house is nothing but a hungry being / 19
it is not appropriate to talk about things / 20
something broken is falling from the floor / 21
delay / 23
Stockholm syndrome, cold flaps, drops / 25

Dumitru BALUTA / 27
First of all / 29
Imagination earthquakes / 30
Vivaldi's Spring / 31
The Shadows of the Ocean / 32
Thin days of September / 33

Ruben BUCOIU / 35
eyelid pencil / 37
dual citizenship / 38
at the mercy of thought / 39
the angel of death / 40
song / 41

Dorin ‑ Vasile BUTUZA / 43
flower constant / 45
modernization / 46
Dear Esther / 47
I want to be able to write / 48
what will I write to you someday / 49

Cornel C. COSTEA / 51
Jesus / 55
I'm looking for you, God / 56
Over old flowers in prayer / 57

Issabela COTELIN / 59
Foreign / 61
Walls / 64
The girl who ... / 66
Who is right / 67
The history of the apple / 68

Nicolae CREPCIA / 69

Iulia DRAGOMIR / 75
Kiss the sun / 77
The book / 78
Premonition / 79
Words / 80
The carol of the rain / 81

Stela EMBER / 83
The most beautiful mistake will be the pearl / 85
Miracle / 86
For your birthday / 87

Dan FRIPIS / 89
... to the disoriented ... / 93
... a punishment ... / 94
... the different "flights" of autumn ... / 96
... an autumn anxiety ... / 97
... the winter holidays ... / 98

Veronica LECA / 99
Complementarity / 101
Hey, hey, tell me why fall / 102
In silence / 103
Citadina / 104
Self-portrait with two wings tied at the shoulders / 105

Ionut MANEA / 107
Memories without too much importance / 109
Mini ‑ poems / 110
That's how she was / 113
The sun is just a poor Mexican aroma / 114

Monica MANOLACHI / 115
Memory Help / 117
Woman in blue dress / 119
Sculpture in affective memory / 122
Family feeling / 123
Cartography / 134

Mona MOTORGA / 125
* * * / 127
* * * / 128
* * * / 129
* * * / 130
* * * / 131

Tania NICOLESCU / 133
Prayer / 135
In the rhythm of the heart of the earth / 136
Under the pink moon / 138
Ghosts / 139
The echo of the rain / 141

Mihaela ‑ Angela STAN / 143
Looking in the mirror / 145
String / 146
Reflection / 147
Poetry / 148
Addiction / 149

Simona STAPAN / 151
goodbye but I'll stay with you / 153
by negation / 154
aquaphobia / 155
the enemy is you / 156
bleeds back / 157

Tatiana STOICESCU / 159
Reference / 161
Surrealism / 162
Possible / 163
Incurable / 164
In all / 165

Lorena STUPARU / 167
Untitled / 169
The one of the month / 170
A morning with Vasile Alecsandri / 171
Inclined points / 173
Towards day I moved completely into a dream / 174

Andreea TANASE / 175
Great Liberation / 177
Universal frond / 178
Marks and swamps / 179
Taming the shadow / 180
The birth of poetry / 181

Mihai TANASE / 183
Sensory excitation / 185
Epiphany / 186
It's a HBO / 187 film noir
Promenada in Roma / 188
Relaxation / 189

Daniela TOMA / 191
*** / 195
*** / 196
*** / 197
*** / 198
*** / 199

I think an anthology of poetry is an expedition in search of the golden thread. The shores of poetry are unknown, in the sense that they appear, they are revealed, when the dream state surpasses everyday reality. Otherwise, anchoring in a reality as a port without any opening, without access to the sea, would keep us captive in it. At the ideological level, the Poet's Ship is an archetype of a ship, which can be called by the same ancient name, "Argo".
On the other hand, the new reality, as a revitalized form of social, artistic neorealism, is delivered in poetry "in bitcoin", as verbal currency at universal standards, a term used excellently by Ruben Bucoiu, one of the poets of this anthology. In other words, Dumitru Baluta talks about the "jellyfish of reality" in a struggle of ideas with the "earthquakes of the imagination".
In almost all the poems in this anthology there are white spaces of the imagination, finally covered by reality. The relationship between them works alternately, by rotation.
The music from the romantic poetry written by Calin Ioan Acu, the love with the stories of the heart, are part of a night dream. "And the moon leaves me / your face asleep to love it", says the author.
We also find love stories of the heart in Mihai Tanase's poetry. Here is a verse that can hardly be overlooked: "I was blinded by looking into your soul." The five poems by Mihai Tanase in this anthology are five grams of "snow", meaning five grams of "pure heroin".
Personal biographies, fragmented by writing or confession, become cultural biographies in a book. Madalina Aldescu's poetry is one such example. The poet of the last generation or next generation, with an accentuated personal note, with poetry titles that say everything in one breath, she asks questions to the society in which she lives, where beings are absorbed by statistics. "A house is nothing but a hungry being" is just one of the titles of his poems. And the "Stockholm Syndrome" he talks about in another poem is a planetary syndrome.
Although they are part of society, in their own way, although they live in big cities or provincial towns, say, for example, the city of Zalau, a city that eats paper, as the poet Doru Vasile Butuza says in the poem "Modernization", the poets they remain the absolute solitude of an afternoon, in an "empty city".
There is a meeting point, a point of convergence between their poems, whether they are love, melancholic, religious or about nature, as in the haiku poems of Nicolae Crepcia, a melancholy of longing for the mountains full of "flowers in prayer" or seeking God. Cornel C. Costea calls this meeting place "summer without a name" as an ideal landmark for the passage of time, and Issabela Cotelin, through a question, suggests the place of this meeting, "At the old church / From a village edge?" .
The poets of this anthology have various trades, concerns, ideals, jobs ... They emphasize various everyday realities or meta-realities and play with their own ideals. The "window of the heart", about which Iulia Dragomir writes, is just one of the places, among many others, from where you can look at the feast of the world, after which you return to the "Book" where the first Word was written.
Dan Fripis's "Autumn Anxieties" has a complementary answer in Veronica Leca's confession, in "Self-Portrait with Two Wings Tied to the Shoulder" or in Daniela Toma's "silent film" excerpts. Somewhere, among them, we find the "miracle of emptiness" in which Stela Ember floats "without hitting the birds ...".
Ionut Manea's mini-poems, with characters from a possible meta-animal theater, where Lice, Prostitute, Dream, Misery and the list can go on - are part of the "Games of the world on the stall of a market".
What else do we find on this stall?
A dictionary of foreign languages, known by heart by Monica Manolachi, or the "soft wind" that accompanies Mona Motorga's untitled poems, or only their echo, as an "echo of the rain" that spreads in the poems signed by Tania Nicolescu. The baggage of words, in such a journey, includes for Mihaela-Angela Stan emotions mixed in a stable balance.
We were talking above about the daily concerns of poets, about their jobs, about the influence that, perhaps, they have on their work.
Simona Stapan says in a biographical note several times: "Corporate and I like it!". Then let's look, if there is one, for the corporate connections in her poems! I did not find any, but only a retro happiness and "straitjacket" which can be called love and which can have the "weight of a drowsiness".
The nuances of everyday, social, artistic reality, in an infinite range of poetic decodings, have various references. Tatiana Stoicescu chooses those of surrealism, and Lorena Stuparu chooses those of the "like" message sent to all.
There is a Japanese poet, Saito Fumi, considered the "queen of tanka poetry." He lived to be 93 years old and wrote about cherry blossoms, about mud, about his blind mother who cared, about the breast surgery she underwent, about the Imperial Palace where she was twice received by the Emperor of Japan ..., about love, about the snow coming from the sky, as a release.
I remembered her, reading in this anthology, the first poem in the group signed by Andreea Tanase, about another kind of release.
Writing frees you. Writing therapy is not easy. It's like a trip to the dream shore ...

Clelia Ifrim

www.editurauniversitara.ro

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