The aesthetic unity of this volume is identified by approaching some concepts and their intense expressions, assuming, of course, that the informed reader will get in touch with them and complete them by exposing value judgments or, implicitly, by retaining only what is beautiful, as a completion of the form of poetry in the totality of the others, concrete and alive, alike.
The content and the fundamental reason are reconsidered, both referring to the three determining sides with which it intersects: the psychological and the spiritual, subject to the existential trajectory generating balance and substance in everything that belongs to reality, but also in what is beyond that.
The tendency of personalization, that of unleashing poetic visions, establishes the emotional aesthetic exercise, the permanent and deep inner combustion, after all this is a general concept that, as well, can be invented ad-hoc, if it is penetrated by the joy of beauty. . Of course, the poetic effect can be obtained or not, since the defects are established according to qualities ...
The need to keep the verse open and free overlaps structurally with the force with which the word is endowed, it is used to determine the very line of the poems, left to be reversed, if you want, so as not to lose sight of the suppleness and harmony of the parts that make up the whole.
It is worth introducing into the lyrical equation, as in a trial with witnesses, the concept of time, the one that gives both the poet and the reader his understanding, the first more, the next less, or vice versa.
This subjective consideration often turns into a leitmotif that capitalizes even more on poetry with a new external appearance, not in a static unity, but in an extremely dynamic one and which only indifference cannot remain.
Symbols, signs, intuition, imagination, sound and rhythm represent limits of understanding, they are completed by themselves, they remain original, especially when they are not analyzed and explained. The raw state capitalizes on the sensitivity, but also on the strength of the poetry itself. To imagine and conceive is equivalent to trying to integrate one's own thinking into the thinking of others, taking into account that the differences between the personalities of individuals are sometimes huge, even this can lead to new states, because it requires the whole being, which can not be a bad thing at all.
Whether or not it is necessary to meet poetry in the same way it is offered to us, remains an expression of our own conception, but in this space the questions unfold freely and I would like them to be as many as possible, after all, why would it be necessary for us all to be in the light of reason and not in the unattainable limits of the mystery always and always returned to itself?
In this way, poetry should go beyond the object it represents, to become absolute abandonment, a necessary moment and much more important than any other, apart from any other connection, but not omitting the beauty of any of them ...