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The literature of the classics from Junimea
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Publisher: Editura Universitară
Author: Marina Cap-Bun
Edition: I
Pages: 622
Publisher year: 2024
ISBN: 978-606-28-1911-8
DOI: https://doi.org/10.5682/9786062819118
Product Code:
9786062819118
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Introductory details/5
Junimea and Literary Conversations - vectors of Romanian cultural modernity/7
Literary and cultural life in the era of Junimii/7
Literary conversations in the context of contemporary media/30
Bibliographical landmarks/45
Titu Maiorescu, founder of the critical spirit in Romanian culture/47
The beginnings of the "eastern complex". A novel at Theresianum /47
The forging of the Maioresian critical spirit /57
Titu Maiorescu in the consciousness of Romanian critics /102
Bibliographical landmarks/116
Mihai Eminescu, a destiny that changes the trajectory of Romanian culture /118
Some milestones of literary life and career /118
Eminence correspondence. Necessary reassessments /138
Eminescu today: between mythification, adulation and contestation /152
Narcissistic idealism in Eminesian erotica /159
Kinetic archetypes in Eminesian lyric /171
The Cycle of Eminence Letters between Romanticism and Post-Romanticism/184
Luceafarul - the synthesis of Eminesian poetic creation /203
Eminesian fantastic prose/220
Publicistica eminesca /234
Bibliographical landmarks/250
Ion Luca Caragiale, the lucid and relentless consciousness of a world in eternal transition /255
From Fanar to Berlin: a century in the history of Caragiales /255
A new theater concept: the polyphony of stage languages /271
A lot of noise for a sack: A stormy night /284
Searches in the experimental area: pranks in one act /300
Theàtron politikón: A lost letter /320
Mirror in the mirror: D of the carnival/350
Cobweb: Napasta/372
Caragiale and naturalism/388
The beast man: the prose of tragic invoice/402
The magic box: Volume Momente/426
The last change on the front: the volume Schite noua and posthumous stories /471
Caragiale's actuality /501
Bibliographical highlights/511
Ion Creanga, between aesthetic memory and self-fiction/517
Ion Creanga, personality and intellectual formation /517
The stories of Creanga/528
Childhood memories. From autobiography to autofiction/553
Bibliographical landmarks/584
Ioan Slavici and his human comedy/588
Some biographical and creative milestones/588
Slavici's short stories. Die with luck/ 594
The novel Mara/606
Bibliographical landmarks/ 618
Junimea and Literary Conversations - vectors of Romanian cultural modernity/7
Literary and cultural life in the era of Junimii/7
Literary conversations in the context of contemporary media/30
Bibliographical landmarks/45
Titu Maiorescu, founder of the critical spirit in Romanian culture/47
The beginnings of the "eastern complex". A novel at Theresianum /47
The forging of the Maioresian critical spirit /57
Titu Maiorescu in the consciousness of Romanian critics /102
Bibliographical landmarks/116
Mihai Eminescu, a destiny that changes the trajectory of Romanian culture /118
Some milestones of literary life and career /118
Eminence correspondence. Necessary reassessments /138
Eminescu today: between mythification, adulation and contestation /152
Narcissistic idealism in Eminesian erotica /159
Kinetic archetypes in Eminesian lyric /171
The Cycle of Eminence Letters between Romanticism and Post-Romanticism/184
Luceafarul - the synthesis of Eminesian poetic creation /203
Eminesian fantastic prose/220
Publicistica eminesca /234
Bibliographical landmarks/250
Ion Luca Caragiale, the lucid and relentless consciousness of a world in eternal transition /255
From Fanar to Berlin: a century in the history of Caragiales /255
A new theater concept: the polyphony of stage languages /271
A lot of noise for a sack: A stormy night /284
Searches in the experimental area: pranks in one act /300
Theàtron politikón: A lost letter /320
Mirror in the mirror: D of the carnival/350
Cobweb: Napasta/372
Caragiale and naturalism/388
The beast man: the prose of tragic invoice/402
The magic box: Volume Momente/426
The last change on the front: the volume Schite noua and posthumous stories /471
Caragiale's actuality /501
Bibliographical highlights/511
Ion Creanga, between aesthetic memory and self-fiction/517
Ion Creanga, personality and intellectual formation /517
The stories of Creanga/528
Childhood memories. From autobiography to autofiction/553
Bibliographical landmarks/584
Ioan Slavici and his human comedy/588
Some biographical and creative milestones/588
Slavici's short stories. Die with luck/ 594
The novel Mara/606
Bibliographical landmarks/ 618
The current volume is the result of decades of reading and reflection on the works of Junimea writers during the teaching of the university course dedicated to the great classics. The partial results of the research dedicated to the Junimist era can also be found in other volumes, previously published and mentioned in the bibliography of this volume, to which are now added, in each chapter, other pages of in-depth analysis, as well as new chapters dedicated to Ion Creanga and Ioan Slavici .
The book reflects, therefore, the results of a long investigation of the literature of the great classics, consumed in more than three decades of didactic and scientific activity.
The interdisciplinary openness and the slides between different critical perspectives aim to prove the complexity and flexibility of the object, being, at the same time, a plea for the renewal that the reception of the great classics requires, in a new millennium. However, thinking about their didactic usefulness, I kept the structure of mini-monographs of the chapters and indicated the essential bibliographic references for the completion of the information.
A biographical sub-chapter is dedicated to each of the authors addressed, but, taking advantage of the pre-existence of a vast informative material accumulated over time and accessible to the interested reader, I allowed myself greater freedom in their writing. They are cutouts that serve the approaches I propose and are far from exhausting the information sedimented over time, by the multiple critical generations that have dedicated themselves to receiving the great classics.
The actual analysis of the various compartments of the creation of each author approached builds an own, original vision, without ignoring the most valuable critical and historiographical contributions recorded over time, especially when they constituted arguments in the crystallization of my own critical vision. However, when it was the case, I did not hesitate to enter the controversy. It is illustrated, for example, by the sub-chapter "Caragiale and naturalism" in which I had to make decisive nuances, relying on Caragiale programmatic texts, old and prestigious reception inertias. Other times, the suggestions to re-evaluate some facts of literary history were imposed by the appearance of new documents, as happens in the chapter dedicated to the Eminescu correspondent, in which I note that exegetes such as Maiorescu or G. Calinescu were based on incomplete data (and on a considerable dose of subjectivity) when they evaluated the poet's relationship with Veronica Micle.
The approach to the works of Junimist writers did not aim to be exhaustive, especially since these studies will inevitably be subject to future revisions, dictated by the appearance of new documents or fundamental works, but also by the constant need to re-contextualize this literary generation of overwhelming importance for the development and modernization of Romanian literature.
The book reflects, therefore, the results of a long investigation of the literature of the great classics, consumed in more than three decades of didactic and scientific activity.
The interdisciplinary openness and the slides between different critical perspectives aim to prove the complexity and flexibility of the object, being, at the same time, a plea for the renewal that the reception of the great classics requires, in a new millennium. However, thinking about their didactic usefulness, I kept the structure of mini-monographs of the chapters and indicated the essential bibliographic references for the completion of the information.
A biographical sub-chapter is dedicated to each of the authors addressed, but, taking advantage of the pre-existence of a vast informative material accumulated over time and accessible to the interested reader, I allowed myself greater freedom in their writing. They are cutouts that serve the approaches I propose and are far from exhausting the information sedimented over time, by the multiple critical generations that have dedicated themselves to receiving the great classics.
The actual analysis of the various compartments of the creation of each author approached builds an own, original vision, without ignoring the most valuable critical and historiographical contributions recorded over time, especially when they constituted arguments in the crystallization of my own critical vision. However, when it was the case, I did not hesitate to enter the controversy. It is illustrated, for example, by the sub-chapter "Caragiale and naturalism" in which I had to make decisive nuances, relying on Caragiale programmatic texts, old and prestigious reception inertias. Other times, the suggestions to re-evaluate some facts of literary history were imposed by the appearance of new documents, as happens in the chapter dedicated to the Eminescu correspondent, in which I note that exegetes such as Maiorescu or G. Calinescu were based on incomplete data (and on a considerable dose of subjectivity) when they evaluated the poet's relationship with Veronica Micle.
The approach to the works of Junimist writers did not aim to be exhaustive, especially since these studies will inevitably be subject to future revisions, dictated by the appearance of new documents or fundamental works, but also by the constant need to re-contextualize this literary generation of overwhelming importance for the development and modernization of Romanian literature.
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