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Immersions in the work of Lucian Blaga - Florin Lobont, Valeriu Sofronie, Marian Vasile
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Publisher: Editura Universitara
Author: Florin Lobont, Marian Vasile, Valeriu Sofronie
Edition: I
Pages: 280
Publisher year: 2023
ISBN: 978-606-28-1625-4
DOI: https://doi.org/10.5682/9786062816254
Product Code:
9786062816254
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The work Immersions in the work of Lucian Blaga is part of an annual international symposium, which takes place around the birthday of the man of Romanian culture, bringing together well-known writers, historians, philosophers, critics and academics, both from the country and outside the country, as well as lovers of Blagian creation. All the twenty-two signatories, half of them also present in the previous editions, half of them being new entrants to the project, are united by their concern for deciphering a work that is in permanent critical ascent, a work that never ceases to produce amazement and inspire enthusiasm cultural.
The inserted essays cover several areas of Blaga's criticism: logical-epistemological (the logic of origin, the mathematical spirit as a style of thinking, the double dimension of language), philosophical-metaphysical (Lucian Blaga as the father of the abyssal noology, the consonants of the thinking of the philosophers Blaga, Foster, Collingwood and Whitehead in the problem of mystery, poetry and ontology, the problem of the great cosmic absences, the principle of inadequacy in the Blagian construction), philosophy of culture and political science (horizon and style, the "innocent" man and the "full man" in the Blagian creation, the problem of national specificity, the space- matrix and its relationship with the geopolitics of the 21st century, "new spirituality" in youth works, Blaga's alleged political friendships), criticism and literary history (Blagian poetic arts, the relationship between Ana Blandiana's youth poetry and Blaga's lyrics, the meaning theology of beauty, the synchronicity of silence and inner song, an interpretation of the piece "Noah's Ark", translation (a fragment of the English translation of "Historical Being"), as well as memorials (Lucian Blaga's residence in "Casa Bredicenilor ” from Lugoj).
Blaga is not a writer who lets you get past him easily, to move on to the next one. Unlike other authors, of equal or even greater notoriety, Blaga has a magical effect on the lecturer: he takes him out of the passive-receptive state and gives him a creative impulse. This is how this critical elegy dedicated to him also resulted.
The coordinators
The inserted essays cover several areas of Blaga's criticism: logical-epistemological (the logic of origin, the mathematical spirit as a style of thinking, the double dimension of language), philosophical-metaphysical (Lucian Blaga as the father of the abyssal noology, the consonants of the thinking of the philosophers Blaga, Foster, Collingwood and Whitehead in the problem of mystery, poetry and ontology, the problem of the great cosmic absences, the principle of inadequacy in the Blagian construction), philosophy of culture and political science (horizon and style, the "innocent" man and the "full man" in the Blagian creation, the problem of national specificity, the space- matrix and its relationship with the geopolitics of the 21st century, "new spirituality" in youth works, Blaga's alleged political friendships), criticism and literary history (Blagian poetic arts, the relationship between Ana Blandiana's youth poetry and Blaga's lyrics, the meaning theology of beauty, the synchronicity of silence and inner song, an interpretation of the piece "Noah's Ark", translation (a fragment of the English translation of "Historical Being"), as well as memorials (Lucian Blaga's residence in "Casa Bredicenilor ” from Lugoj).
Blaga is not a writer who lets you get past him easily, to move on to the next one. Unlike other authors, of equal or even greater notoriety, Blaga has a magical effect on the lecturer: he takes him out of the passive-receptive state and gives him a creative impulse. This is how this critical elegy dedicated to him also resulted.
The coordinators
FLORIN LOBONT
VALERIU SOFRONIE
MARIAN VASILE
VALERIU SOFRONIE
MARIAN VASILE
Depths, heights, wanderings and returns to the homeland / 5
Mihaela BACALI: The theological meaning of beauty and the Sophianic perspective - two aspects of the theology - aesthetics relationship / 7
Ioan BIRIS: The logic of origin: Hermann Cohen and Lucian Blaga / 33
Dan CARBARAU: Horizon and style / 57
Ovidiu Constantin CORNILA: Lucian Blaga, between the synchrony of silence and inner song / 70
Daniel CRISTEA‑ENACHE; Ana Blandiana's poetry at the time of 1989. Detachment from Blaga's influence in the poet's youth / 81
Andrei GHITESCU: Expressionism: only a literary-artistic movement? / 97
Sebastian GRAMA: Meeting at the game / 101
Dragos GRUSEA: About the great cosmic absences. An interpretation of divine differentials starting from Kant and Fichte / 103
Michael S. JONES, Viorel CIOARA: The last chapter of the last book: an excerpt / 123
Nicolae LEAHU: Blagian poetic arts (3). To readers / 143
Florin LOBONT: Knowledge and faith - consonants on the place of the metaphysical mystery between Blaga and three English idealists of his time / 149
Daria MUSAT: The alleged political orientations of Lucian Blaga / 167
George Eduard NEDELESCU: "From here and further" by the system. Boundary lines between the Master Manole and the miller Noe / 174
Cosmin NEIDONI: The double dimension of language in the metaphysics of Lucian Blaga / 186
Ovidiu PECICAN: Childhood and culture / 194
Valeriu SOFRONIE: The principle of inadequacy (mismatch) in the philosophy of Lucian Blaga / 200
Constantin STOENESCU: "The mathematical spirit" as a style of thinking / 226
Marian VASILE: One poet, two poets: Lucian Blaga / 251
Dan VEREJANU: The "innocent", "paradisiacal", "complete man" in the lyrical and philosophical creation of Lucian Blaga / 255
Adriana WEIMER: Lucian Blaga and the "House of Brediceni" from Lugoj - of the Lugoj Municipal Library / 266
Karina ZYBACZYNSKI: Matrix space in Blagian vision. Culture and geopolitics in the 21st century / 273
Mihaela BACALI: The theological meaning of beauty and the Sophianic perspective - two aspects of the theology - aesthetics relationship / 7
Ioan BIRIS: The logic of origin: Hermann Cohen and Lucian Blaga / 33
Dan CARBARAU: Horizon and style / 57
Ovidiu Constantin CORNILA: Lucian Blaga, between the synchrony of silence and inner song / 70
Daniel CRISTEA‑ENACHE; Ana Blandiana's poetry at the time of 1989. Detachment from Blaga's influence in the poet's youth / 81
Andrei GHITESCU: Expressionism: only a literary-artistic movement? / 97
Sebastian GRAMA: Meeting at the game / 101
Dragos GRUSEA: About the great cosmic absences. An interpretation of divine differentials starting from Kant and Fichte / 103
Michael S. JONES, Viorel CIOARA: The last chapter of the last book: an excerpt / 123
Nicolae LEAHU: Blagian poetic arts (3). To readers / 143
Florin LOBONT: Knowledge and faith - consonants on the place of the metaphysical mystery between Blaga and three English idealists of his time / 149
Daria MUSAT: The alleged political orientations of Lucian Blaga / 167
George Eduard NEDELESCU: "From here and further" by the system. Boundary lines between the Master Manole and the miller Noe / 174
Cosmin NEIDONI: The double dimension of language in the metaphysics of Lucian Blaga / 186
Ovidiu PECICAN: Childhood and culture / 194
Valeriu SOFRONIE: The principle of inadequacy (mismatch) in the philosophy of Lucian Blaga / 200
Constantin STOENESCU: "The mathematical spirit" as a style of thinking / 226
Marian VASILE: One poet, two poets: Lucian Blaga / 251
Dan VEREJANU: The "innocent", "paradisiacal", "complete man" in the lyrical and philosophical creation of Lucian Blaga / 255
Adriana WEIMER: Lucian Blaga and the "House of Brediceni" from Lugoj - of the Lugoj Municipal Library / 266
Karina ZYBACZYNSKI: Matrix space in Blagian vision. Culture and geopolitics in the 21st century / 273
Man likes the depths and is fascinated by the heights. Some of the most dangerous sports in the world (climbing and diving) have to do with the secret, with the world hidden from the eyes of many. He ventures towards her, facing dangers, making sacrifices. When he does not find his dream fulfilled, he returns to the middle world, among the many. Although this need for adventure is ingrained in each of us, not everyone is given to leave behind the quiet bed and look for the mystery. The fear of the unknown scares most people, making them give up.
Blaga is a man of mystery, but also a mysterious man. It belongs to the secret because it has made itself the object of study from what is hidden and it is mysterious because, in turn, it has buried its collected treasures either on mountain ridges, where only eagles and gods soar, or in deep seas, where only angler fish and mermaids know how to go down.
A century has passed since the appearance of the first two Blagian philosophical writings, and time, from the enemy of small beings, such as people and their creations, has turned into a "long-term" ally. Until the red drought came over the Romanian culture, the reception of Blaga's work was in continuous growth, as if the Demiurge himself was sending rain and light on it. These two conditions being fulfilled from above, everything came naturally from below. The soil was good, the seeds were "wonderful", the fruit was tasty and beautiful in appearance. You just had to reach out and take. Then suddenly there was silence all around. The sky darkened, the waters receded, and the workers of the vineyard took the path of misery. Among them is the creator about whom we deigned to write this volume. It was time for the philosopher to go on a historical journey, to atone for the guilt of his thinking. It seemed that there was no more room for thoughts. And there were no thinkers among us for a long time. You can set fire to forests, you can trample gardens with boots, you can even kill people. But you can't suppress the thought. You cover his mouth, and he teaches his eyes to speak. She covers his eyes, but he casts a spell on the potter's hands. Thought can also bear fruit from the dry stone of history, if it was raised from a young age at the edge of fountains.
This volume is about Blaga and about ways of talking about him: each time different, but each time about him and his wonderful creation.
In the present volume, the authors have joined in an adventure of unraveling the meanings planted along this Blagian axis cognitionis.
The coordinators
Blaga is a man of mystery, but also a mysterious man. It belongs to the secret because it has made itself the object of study from what is hidden and it is mysterious because, in turn, it has buried its collected treasures either on mountain ridges, where only eagles and gods soar, or in deep seas, where only angler fish and mermaids know how to go down.
A century has passed since the appearance of the first two Blagian philosophical writings, and time, from the enemy of small beings, such as people and their creations, has turned into a "long-term" ally. Until the red drought came over the Romanian culture, the reception of Blaga's work was in continuous growth, as if the Demiurge himself was sending rain and light on it. These two conditions being fulfilled from above, everything came naturally from below. The soil was good, the seeds were "wonderful", the fruit was tasty and beautiful in appearance. You just had to reach out and take. Then suddenly there was silence all around. The sky darkened, the waters receded, and the workers of the vineyard took the path of misery. Among them is the creator about whom we deigned to write this volume. It was time for the philosopher to go on a historical journey, to atone for the guilt of his thinking. It seemed that there was no more room for thoughts. And there were no thinkers among us for a long time. You can set fire to forests, you can trample gardens with boots, you can even kill people. But you can't suppress the thought. You cover his mouth, and he teaches his eyes to speak. She covers his eyes, but he casts a spell on the potter's hands. Thought can also bear fruit from the dry stone of history, if it was raised from a young age at the edge of fountains.
This volume is about Blaga and about ways of talking about him: each time different, but each time about him and his wonderful creation.
In the present volume, the authors have joined in an adventure of unraveling the meanings planted along this Blagian axis cognitionis.
The coordinators
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