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The lambs of Abel
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Publisher: Cișmigiu Books
Author: Clelia Ifrim
Edition: I
Pages: 80
Publisher year: 2024
ISBN: 978-606-28-1785-5
Product Code:
9786062817855
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The lambs of Abel
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Clelia Ifrim is born in Bucharest, where she lives. She is a member of the Romanian Writers’Union, of IWA ‒ International Writers and Artists Association (USA), of JUNPA ‒ Japanese Universal Poets Association (Japan), lifetime honorary member of the Foundation for Open Culture “Naji Naaman” (Lebanon).
Princess Noble Title conferred by the Foundation “Saint Sava”.
She published over 30 books – poetry, drama, novel, short prose, essays about haiku and tanka, translations.
Romanian National Prize “Vasile Voiculescu” for the poetry book “The hatching hen and the stone chicks”, 2015.
Medal and diploma “Mihai Eminescu” conferred by the European Foundation and International Poetry Academy “Mihai Eminescu” for Romanian and International Cultural merits.
“Grand Prix Matsuō Basho” Festival, Japan 2011.
Best Books for the haiku book “My Loved Japan” (The Japan Times), 2011
Three of her poetry books have been translated into Japanese by Mariko Sumikura and published by JUNPA Books (Japan).
Two of her poems have been selected by JAXA ‒ Japan Aerospace Exploration Agency ‒ and stored aboard the space module KIBO, on the ISS ‒ International Space Station.
Princess Noble Title conferred by the Foundation “Saint Sava”.
She published over 30 books – poetry, drama, novel, short prose, essays about haiku and tanka, translations.
Romanian National Prize “Vasile Voiculescu” for the poetry book “The hatching hen and the stone chicks”, 2015.
Medal and diploma “Mihai Eminescu” conferred by the European Foundation and International Poetry Academy “Mihai Eminescu” for Romanian and International Cultural merits.
“Grand Prix Matsuō Basho” Festival, Japan 2011.
Best Books for the haiku book “My Loved Japan” (The Japan Times), 2011
Three of her poetry books have been translated into Japanese by Mariko Sumikura and published by JUNPA Books (Japan).
Two of her poems have been selected by JAXA ‒ Japan Aerospace Exploration Agency ‒ and stored aboard the space module KIBO, on the ISS ‒ International Space Station.
Window of a thousand bodies / 15
Fire objects / 18
Winter night / 19
Shelter / 21
Traces on the shore / 22
The Silk Road / 23
The frozen randus / 25
Abel's lambs / 26
Mount of Olives / 28
Randunele / 29
Listening / 30
Reservation / 31
Ten people / 32
From the purple of words / 33
Self-portrait with lamb in arms / 34
The wooden horse / 35
Purple pickers /37
The young woman of the 21st century / 38
The mountain fortress / 39
Page 2021 / 41
Fire objects / 18
Winter night / 19
Shelter / 21
Traces on the shore / 22
The Silk Road / 23
The frozen randus / 25
Abel's lambs / 26
Mount of Olives / 28
Randunele / 29
Listening / 30
Reservation / 31
Ten people / 32
From the purple of words / 33
Self-portrait with lamb in arms / 34
The wooden horse / 35
Purple pickers /37
The young woman of the 21st century / 38
The mountain fortress / 39
Page 2021 / 41
“The principal stylistic aspect of poetry by Clelia Ifrim is the tight interaction between the form and content. Her poems are written in a such way so that they have the wanted sense just when they are associating with their form.
More over, I have found in her poetry, as a method, many cyphered poems, namely metaphors with a code.
And this lyric of our poetess too, stops the time, as well as the Great Lady of German poetry, Hilde Domin said: «Moments of Liberty».”
Christian W. Schenk
“Clelia does not use a style of the pre-existent models. Each her text is coming from an interior attitude, assumed over time. This her attitude carries the quality of the Visionary that presumes its auxiliaries: the intuition, the equilibrium of the humility, the opening of the conscience’s gate, an attitude profoundly assumed in the course of time. An eloquent exemple for a special and original reformation, absolutely remarkable through a reverse order of the wait. It is subtle method that opens the mind and heart of the one who welcomes these poems, like a delicate knock at the inner door of the listener or of the silent reader.
He one who listens to them or read them will be not the same man.”
Andrei Zanca
More over, I have found in her poetry, as a method, many cyphered poems, namely metaphors with a code.
And this lyric of our poetess too, stops the time, as well as the Great Lady of German poetry, Hilde Domin said: «Moments of Liberty».”
Christian W. Schenk
“Clelia does not use a style of the pre-existent models. Each her text is coming from an interior attitude, assumed over time. This her attitude carries the quality of the Visionary that presumes its auxiliaries: the intuition, the equilibrium of the humility, the opening of the conscience’s gate, an attitude profoundly assumed in the course of time. An eloquent exemple for a special and original reformation, absolutely remarkable through a reverse order of the wait. It is subtle method that opens the mind and heart of the one who welcomes these poems, like a delicate knock at the inner door of the listener or of the silent reader.
He one who listens to them or read them will be not the same man.”
Andrei Zanca
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