Mircea Nedelciu face to face with the lecturer

ALINA COSTEA was an editor at Tomis magazine in Constanta, between 2001 and 2010, being also a teacher at various high schools in the city. Since 2012, he has been a doctoral assistant at the Faculty of Letters in Constanta, Department of Modern Languages ​​for Non-Philological Faculties, Ovidius University.

Argument / 7

Introduction or false poetry for reading together / 9

CHAPTER 1: The birth of literature / 29
1.1. What is a diary / 29
1.2. Places, people, events / 36
1.3. Politic, incipient / 47
1.4. The reader of journals / 48

CHAPTER 2: Adventures in the world of the banal / 56
2.1. Excerpts from the Prose file / 56
2.2. Through the magnifying glass of psychology towards literature / 64
2.3. Other places, other people, other events / 67
2.3.1. The supremacy of the epic: Adventures in an inner courtyard / 68
2.3.1.1. Places / 68
2.3.1.2. People / 69
2.3.1.3. Incidents / 79
2.3.1.4. Politics / 80
2.3.2. Stepping into the experiment: The controlled echo effect / 88
2.3.2.1. Places / 89
2.3.2.2. People / 91
2.3.2.3. Incidents / 96
2.3.2.4. Politics / 98
2.3.3. The triumph of technicality: Amendment to the instinct of property / 103
2.3.3.1. Places / 104
2.3.3.2. People / 104
2.3.3.3. Politics / 116
2.3.4. Return to the epic: And yesterday will be a day / 117
2.3.4.1. Places / 118
2.3.4.2. People / 120
2.3.4.3. Politics / 135
2.4. The prose reader / 137
2.4.1. The reader of texts / 137
2.4.2. The reader outside the texts / 155

CHAPTER 3. And yet the novel / 158
3.1. The granite: Raspberry / 158
3.1.1. Places / 159
3.1.2. People / 161
3.1.3. Accidents / 166
3.1.4. Politics / 169
3.2. Change in the face: Fabulous treatment / 170
3.2.1. Places / 179
3.2.2. People / 182
3.2.3. Politics / 185
3.3. A competition: The woman in red / 187
3.3.1. Places / 189
3.3.2. People / 192
3.4. The great return: The sign of the diver / 196
3.4.1. Places / 198
3.4.2. People / 200
3.4.3. Incidents / 207
3.4.4. Politics / 210
3.5. The reader of novels / 216
3.5.1. The reader of texts / 216
3.5.2. The reader outside the texts / 223

Conclusion (Revenge of Mars) / 224

Bibliography / 229