In 17th century Moscow, Patriarch Nikon reconstructed the Holy City of Jerusalem on Russian soil and ordered a director to stage the most important events from the New Testament, in order to hasten the Second Coming of Christ. However, the actors are chosen from simple, uneducated peasants, and no one is allowed to play the role of the Savior. The years pass without the Messiah appearing, the actors are persecuted, arrested, exiled and, finally, their children take over their roles. Absurdly or perhaps revealingly, the repetitions continue, and people's faith remains unbroken. The novel thus materializes in an astonishing reflection on art, history, religion and national identity.
In 17th century Moscow, Patriarch Nikon reconstructed the Holy City of Jerusalem on Russian soil and ordered a director to stage the most important events from the New Testament, in order to hasten the Second Coming of Christ. However, the actors are chosen from simple, uneducated peasants, and no one is allowed to play the role of the Savior. The years pass without the Messiah appearing, the actors are persecuted, arrested, exiled and, finally, their children take over their roles. Absurdly or perhaps revealingly, the repetitions continue, and people's faith remains unbroken. The novel thus materializes in an astonishing reflection on art, history, religion and national identity.
Vladimir Sarov (1952–2018) was one of the most acclaimed Russian novelists of the contemporary era. He was born in Moscow and studied history at the Voronezh State University. He defended his doctorate in 1984, with a thesis on the Smuta period and the state police (Opricinina) of Ivan the Terrible. He gave lectures on Russian history, literature and culture at international universities, including Harvard, Oxford and Cambridge. He wrote nine novels, which were translated into several languages. In 2014, he was awarded the Russian Booker Prize for the novel Возвращение в Египет (Return to Egypt).
www.editurauniversitara.ro