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Moon Eye

Moon Eye

Name: Moon Eye
Brand: Editura Universitara
SKU: 9786062813352
Price: 14.00 RON
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ISBN: 978-606-28-1335-2

DOI: https://doi.org/10.5682/9786062813352

Publisher year: 2021

Edition: I

Pages: 92

Publisher: Editura Universitara

Author: Daniela Toma

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Daniela Toma accentuates the enigma. Sometimes the chimerical captures lyrical landscapes. "Earthquakes" are expected to call everything back into discussion. The meanings make a synthesis that considers the essences. It seems that we are in a territory furrowed by mirrors given to lyricism, not once incendiary.

Octavian MIHALCEA

This poem is always different. You never paint yourself. You feel the need to reread it. You are not content with reading it. Everything is love, everything is return; and "thawed wrist," and "ankle," and "falling in the blink of an eye," as if "love were only one day on earth." And words love themselves.

Victor MARTIN

The modernism of Daniela Toma's poetry comes from the surprising connections intertwined in her texts, with incredible variations on her own themes, which create a new, exciting and captivating vitality. Words are a kind of leitmotif, many ideas revolve around them that create addiction and obsession.

Ionut CALOTA

And as creation is linked to the Creator, Daniela Toma leaves in His will, the new form of being that she has acquired, she leaves this new Ana, as an offering, to the generosity of God, in order to transgress to a state that it will give her the opportunity to prove who she really is: "you are the root, the heart, the bird, / you make a covenant with God / to throw your whips into the most hidden plows / of the eyes / to open them ..."

Mihaela MERAVEI

I don't need a body anymore / without it I can climb more easily on the cross ... "remarkable", as the late Ciprian Chirvasiu would say: verses of revelation ... and he also says: "if someone can produce such verses, we we have no business, we look at a Poet! »

Eugen POHONTU

Moon Eye
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DANIELA TOMA

A simple reference and a passage then further ... / 5

I don't need a body anymore
without him I climb more easily on the cross / 7

around the corners were the palms of God
and my scars were ringing in my heart / 26

someone wipes my marble shoulders
with a wooden scythe / 41

my dolls have always been young and beautiful / 62

I bought slippers, glasses and a bottle of wine,
the short reign from the corner of the block is waiting for me / 77

The aesthetic unity of this volume is identified by approaching some concepts and their intense expressions, assuming, of course, that the informed reader will get in touch with them and complete them by exposing value judgments or, implicitly, by retaining only what is beautiful, as a completion of the form of poetry in the totality of the others, concrete and alive, alike.
The content and the fundamental reason are reconsidered, both referring to the three determining sides with which it intersects: the psychological and the spiritual, subject to the existential trajectory generating balance and substance in everything that belongs to reality, but also in what is beyond that.
The tendency of personalization, that of unleashing poetic visions, establishes the emotional aesthetic exercise, the permanent and deep inner combustion, after all this is a general concept that, as well, can be invented ad-hoc, if it is penetrated by the joy of beauty. . Of course, the poetic effect can be obtained or not, since the defects are established according to qualities ...
The need to keep the verse open and free overlaps structurally with the force with which the word is endowed, it is used to determine the very line of the poems, left to be reversed, if you want, so as not to lose sight of the suppleness and harmony of the parts that make up the whole.
It is worth introducing into the lyrical equation, as in a trial with witnesses, the concept of time, the one that gives both the poet and the reader his understanding, the first more, the next less, or vice versa.
This subjective consideration often turns into a leitmotif that capitalizes even more on poetry with a new external appearance, not in a static unity, but in an extremely dynamic one and which only indifference cannot remain.
Symbols, signs, intuition, imagination, sound and rhythm represent limits of understanding, they are completed by themselves, they remain original, especially when they are not analyzed and explained. The raw state capitalizes on the sensitivity, but also on the strength of the poetry itself. To imagine and conceive is equivalent to trying to integrate one's own thinking into the thinking of others, taking into account that the differences between the personalities of individuals are sometimes huge, even this can lead to new states, because it requires the whole being, which can not be a bad thing at all.
Whether or not it is necessary to meet poetry in the same way it is offered to us, remains an expression of our own conception, but in this space the questions unfold freely and I would like them to be as many as possible, after all, why would it be necessary for us all to be in the light of reason and not in the unattainable limits of the mystery always and always returned to itself?
In this way, poetry should go beyond the object it represents, to become absolute abandonment, a necessary moment and much more important than any other, apart from any other connection, but not omitting the beauty of any of them ...

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